Fractal Paintings by Will Teather

There's plenty of Will Teather's work I wanted to feature here, but I'd rather leave you to lurk around the British artist's website and instead I'll focus your attention to his impressive and sometimes sacred fractal paintings.

Each piece was done with oil and, if you don't have time for a movie or to read a book, Will's paintings are easy ways to kick back and escape reality for a few short minutes. He explains:

"These lattices reference both postmodern pixilation within painting, as influenced by digital culture, and the longstanding idea of an underlying order within both visual art and our wider perception of reality. They are also informed by the obsessive exploration of geometric patterns by the outsider painter Eugene Andolsek and the automated techniques of Sol Lewitt, who would pass instructions onto assistants who then created his drawings.

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Irene Saputra's Colorful Stitched Pieces

Embroidery is nowhere near forgotten, and in fact, it's experiencing something of a resurgence as artists around the globe are putting their own unique spins on the craft. Indonesia's Irene Saputra is one of them, and more than 45,000 people on Instagram already follow her. Handmade from colorful threads stitched onto fabric, Irene's embroideries begin as original illustrations. What I really like about her stitched pieces is that some of them are meant to be worn. Look at an array of her handiwork!

1968 Computer Art Done by Plotters

These drawings received honorable mentions in the 1968 Computer Art Contest organized by Computers and Automation magazine . Most of the images in the issue were programmed in Fortran and were plotted off line on CalComp plotters . [h/t: Kottke ]

James DeRosso's ceramic monsters

I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.

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