It's been a rough year, and we all deserve some silly, swaggering songs for Christ's sake.

I have a confession to make: I love this track. I remember sitting on the grass of Puerta del Parian in Intramuros listening to my friend shout the song's "I'm not sick but I'm not well. And I'm so hot 'cause I'm in hell" line as loud as he did and louder than I could. 24 years have passed since Flagpole Sitta's release. Its online popularity, relative to every other song from the 90s, is a sound indication for whether it will be remembered by our children's children.

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Midday Muse

Yesterday, just across the street from a coffee shop near the town square, someone caught my attention. A girl, no more than sixteen, though perhaps younger, appeared on the sidewalk with her dog. She wore a beautiful sundress, the kind that sways gently in the late afternoon breeze. She was striking — mixed race, maybe a European father and a Filipina mother — and there was something about her aura, the way she moved, that reminded me of a ballerina from a Degas painting. For a moment, I couldn’t quite place what it was that drew my gaze. I’m forty-six, married, a father of two. It’s been years since the sight of a stranger has stopped me mid-step. But there she was, and I felt a quick, disorienting pull — not love, not even lust in the conventional sense, but something more confusing. She walked into a nearby pizzeria, her dog trotting obediently beside her. I followed — not out of any conscious decision, but more out of curiosity, the kind that makes us read the ending of a story ev...

The Endurance Artist

I recently stumbled upon the work of Margritt Martinet , whose drawings are giving my brain a delightful yet exhausting workout. This French artist, you see, deals in the glorious, mind-bending borderland between the organic and the futuristic. She doesn't just create art; she crafts entire visual universes that are so immersive and dynamic you feel like you should be wearing a spacesuit just to look at them. My mind simply cannot wrap itself around the sheer volume of focused physical labor that goes into these things. The pieces are intricate, layered, and incredibly consistent. But what truly inspires—and simultaneously mocks—me is her patience. This, my friends, is the real superpower. I once attempted a similar large-scale, intricate project. It started so well: my early lines were sharp, and my geometric shapes were perfect. Then, slowly but surely, as the hours stretched and the cramping started in my wrist, the inevitable descent began. The sharp lines became... a little mo...

ANTHOLOGY: Six Shows, One Big Creative Collision

Gravity Art Space just dropped ANTHOLOGY —and it's a total art overload (in the best way). We're talking six shows happening all at once, packed into every corner of the gallery. Teaming up with the UP Artists' Circle, they're digging into how art runs in families—the creative DNA that passes from mentors to students, friends to friends, and one generation to the next. It's all about that shared obsession with making things, no matter what. Opening night felt like a big family get-together. Artists, curators, and friends—both old and new faces—were catching up and low-key planning their next masterpieces. The rooms buzz with everything from loud, in-your-face pieces to quiet works that pull you in if you let them. If you're anywhere near Diliman, drop by. Go see the beautiful chaos. ANTHOLOGY runs until November 21, 2025.

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