Living A Double Life

I should have better things to do—but I have to admit to splurging an excessive amount of time and attention last week on an Italian confection strangely titled Baby. It's about a bunch of kids in Rome who deal with domestic strife and school bullies by selling drugs, getting really wasted and "seducing" older men with their youthful beauty.

Baby gives you the perpetual, skin-crawling reminder that you're sitting and staring at young women's bodies, enjoying the way you can set foot into their lives and then turn away when the scenes do not interest you any longer. Oh my god. Chiara. Chiara is so hot.

The series has a contagious misery, and may remind you of your younger, brasher, more energetic self. Here's another fact: It was inspired by the real-life Baby Squillo (Baby Prostitute) scandal, in which a group of young girls became involved in a prostitution ring. In many of the episodes, sex and teenage romance get mixed up without much effort and I never stop to examine what it is exactly about these narratives I find so satisfying.

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Have you ever encountered a painting that, up close, is pure chaos—a riot of color, a tantrum of brushstrokes? Yet, take a few steps back, and suddenly, the mess organizes itself. As if by cruel magic or divine intervention, the disarray snaps into clarity. That is the experience of viewing the art of Montana Engels . Her work is a testament to this phenomenon. Up close, Montana's canvases appear as nothing more than abstract, hand-painted stripes. Then you move away. Instantly, the mess resolves into a stunning, realistic portrait. The technique is extraordinary, turning proximity into confusion and distance into focus. Montana wasn’t always a phenomenon. Her creativity was just a hobby. Then came Belgium’s Got Talent . Suddenly, she was noticed. Now, she's everywhere. If you have a Facebook account, you might want to follow her .

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