He Left an Impression

Today I was creeping out on Behance and I came across the work of Anthony Ventura. There are so many talented illustrators out there, and it's always refreshing when I find someone who's work pretty much makes my day, for a bunch of reasons. It's easy to get lost in his world, and I could spend hours looking at all of the posters, magazine artworks, and digital drawings that he created.

The images of Chris Cornell and Nick Cave are quite ominous, and George Harrison looks somewhat sublime. The portrait of Ginger Wildheart for Planet Rock really amuses me and puts me in the mood to eat cannabis-laced sweets for dessert.

If you like what you see (and why wouldn't you?), you can get signed prints from Anthony's Big Cartel store or T-shirts from Threadless.

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Thai artist paints on mosquito nets

I find them quite intriguing, these ghostly portraits that Uttaporn Nimmalaikaew paints on mosquito nets. His creations look like a hologram, changing form depending on where the viewer stands. Overall, they're gloomy, haunting, and endlessly fascinating. I could stare at them for ages. [h/t: Colossal ]

'Women of the Future,' according to vintage trading cards

Firefighter In 1902, French artist Albert Bergeret printed this set of trading cards depicting women and their futuristic occupations as firefighters, politicians, soldiers, lawyers, and journalists. Titled Women of the Future , these collectibles were released primarily for the boys, that's why many of these outfits fall more on the side of post-Victorian pin-up calendar than professional attire. General Marine Journalist Artist [h/t: Dangerous Minds ]

When Mickey Went Gothic

In the 1930s, Universal's hits like Dracula and Frankenstein had everyone buzzing, and Walt Disney wanted a piece of that spooky action for his biggest star. The result was The Mad Doctor —a frantic, gothic horror show where Mickey Mouse has to brave a booby-trapped castle full of dancing, self-assembling skeletons to rescue his snatched dog, Pluto. It was the first time audiences saw a truly terrified Mickey. Not only did some theaters refuse to screen the short film, but the British Board of Film Censors (BBFC) outright banned it, deeming it "too gruesome" for kids.

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