Before the internet, when audio cassettes, VCRs, and floppy disks were the most easily shared technologies, the things that went viral were sexy, bizarre, or just plain f*cked up. When I was 10, I dubbed four copies of 10 to Midnight on VHS and gave them to my friends. Piracy was as simple as hooking two VCRs together with a cable. It was fun. That movie wasn't. 10 to Midnight, starring Charles Bronson, is one of the weirdest slasher flicks from my childhood. You all know Charles, who somehow managed to become a top box office attraction in the seventies and eighties for his badassness. Here's two minutes of him trying to take the law into his own hands.
To say that I love Sanagi 's work is an understatement. Looking at her art feels sort of therapeutic, and I find her drawings refreshingly intricate. They're trippy, psychedelic, and resemble something that you might see under a microscope. Not much is Googleable about Sanagi, but that's fine. There aren't many artists these days that still pull off the whole mysterious vibe, so I commend her for that. By the way... they're all hand-drawn with pen and ink.
These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.
If Audrey Stomme s' paintings came alive and transformed into celebrities, they would be Alicia Vikander or Cara Delevingne — confident, perky, and unabashedly luxe. The Minnesota-based artist has a knack for blending ink and acrylic paint in striking combinations to create abstract human forms with an exciting curiosity surging through them. Her pieces brim with courage and exhibit the inherent freedom of her subconscious. Sometimes I'm not sure what I'm looking at, but it still fascinates me.
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