Before the internet, when audio cassettes, VCRs, and floppy disks were the most easily shared technologies, the things that went viral were sexy, bizarre, or just plain f*cked up. When I was 10, I dubbed four copies of 10 to Midnight on VHS and gave them to my friends. Piracy was as simple as hooking two VCRs together with a cable. It was fun. That movie wasn't. 10 to Midnight, starring Charles Bronson, is one of the weirdest slasher flicks from my childhood. You all know Charles, who somehow managed to become a top box office attraction in the seventies and eighties for his badassness. Here's two minutes of him trying to take the law into his own hands.
Most bags today look like they were produced by bored machines in a dimly lit factory. You can walk into any mall and find rows of identical leather (or “leather-like”) things, all claiming to express individuality. Ironically, though, they all look exactly the same. Then there’s Abby Verano . Her bags are not mere accessories; they’re declarations. Each one is hand-painted, touched by an actual human being with an imagination. Abby doesn’t just sell you something to put your wallet and smartphone in; she sells you a story, a vision, a little revolt against the tyranny of sameness. Her tools are simple — brushes, acrylic paint, bags made from pandan leaves, and creativity. No duplicates. No clones. Just one-of-a-kind art pieces you can carry.
What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...
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