Before the internet, when audio cassettes, VCRs, and floppy disks were the most easily shared technologies, the things that went viral were sexy, bizarre, or just plain f*cked up. When I was 10, I dubbed four copies of 10 to Midnight on VHS and gave them to my friends. Piracy was as simple as hooking two VCRs together with a cable. It was fun. That movie wasn't. 10 to Midnight, starring Charles Bronson, is one of the weirdest slasher flicks from my childhood. You all know Charles, who somehow managed to become a top box office attraction in the seventies and eighties for his badassness. Here's two minutes of him trying to take the law into his own hands.
The trailer for a three-part docuseries examining the life of Bill Gates in all of its complexity has just been released. Directed by Davis Guggenheim ( An Inconvenient Truth, It Might Get Loud ), Inside Bill's Brain: Decoding Bill Gates will focus on the tech visionary's post-Microsoft life as he pursues unique solutions to some of the world's most persistent problems. It comes to Netflix on September 20.
These images are from a series of wall sculptures created by Yen Yen Lo . Here you can see her intricately textured ceramic pieces, looking downright adorable. Yen Yen Lo's eye for the unique and whimsical is delightful. Apparently they are not intended for kids under 16. Fifteen-year-olds cannot be trusted with fragile stuff. Get them a Funko Pop instead.
Does Nicola Samori ever underwhelm? The Italian painter and sculptor caught my attention some two years ago, when I stumbled upon his work on Artsy . Samori creates dark, Baroque-inspired oil paintings by layering and fusing images on canvas, wood or other objects. His work stems from fear, and his process involves "skinning" his painted figures with a palette knife or thinner and painting over the surfaces multiple times to achieve deep-seated results. "Peeling off the faces make it possible for all the neglected parts of a representation to come to light and, as far as I am concerned, they all work even better without any kind of control," Samori explained in a 2012 interview . "I don't know what it is that gives a person their identity, it's such complex matter. I definitely don't think a portrait can eventually give it back because you can always perceive its author behind its eyes; well, maybe others' portraits (even their removal,...
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