For years I thought I disliked Ian Ferguson's work, especially the early illustrations. But I became enamored by his art when I saw his more recent creations on Instagram. Also known as Hydeon, the Brooklyn-based visual artist is largely inspired by baroque, gothic, medieval and victorian era architectural movements, as well as Americana, street art, ancient myths, fairy tales, surrealism and graphic design.
Hydeon's art ranges from small ink and graphite works to large painted installations, created with the use of cheap and found materials, such as ball point pens, pencils, wood panels and acrylic paint. He has worked with clients such as Bergdorf Goodman, Vans, RedBull, and more. In this video, Hydeon presents En Forme de Cône at Bim Bam gallery in Paris; a fusion between urban, medieval and folk art.
I really like these whimsical ceramic creatures by James DeRosso. Yes, they have bulging eyes and toothy grins, but they're not scary at all. The Portland-based artist started making cute monsters while he was a student to jokingly create gargoyle-like guardians for the kiln. After other students kept taking his quirky little figures, he realized there was a market for them. "I'm enjoying the whole monster making niche," James says. "It's amazingly gratifying to be doing ceramics full time and especially to be a teacher introducing kids to the joy of clay." Be sure to visit his website and like his Facebook page for the latest monster news.
I can't remember when I first became entranced with Eric van Straaten 's 3D-printed sculptures. I think I stumbled onto his work through tumblr when I was searching for new artists to follow. Eric's attention to detail is pretty amazing, and the image of the eroticized child-woman is familiar throughout his work. Most of his hyper surreal pieces are 3D-printed in sandstone material, which are created by laying down a thin layer of gypsum powder and using a binding agent and color inks to print a pattern onto it. Once the entire model is printed, it is withdrawn from the print bed and the excess powder is removed. The model is then sealed and ready for display. "I think that the girls I create in my work are visualizations of my own feelings, fantasies and thoughts," the Dutch artist explains. "The girls actually look like someone I (used to) know and the different ‘portraits’ tell something about what I think of myself in regards to her or women ...
In the 70s and 80s movie theaters in Manila were usually standalone buildings with nice seats and red curtains. To sell tickets, cinemas needed to advertise their offerings. But they did not have the original posters, or the means to print alternatives. So they made their own, commissioning local artists to hand-paint them. I really miss those hand-painted posters and billboards, which conveyed an artistry that was a form of visual hyperbole. But hand-made objects always have a way of returning. In this digital age, people will always look for things made by hand. I recently stumbled across the work of Tony Stella, whose genuinely cool movie posters have caught the eye of film enthusiasts and art lovers worldwide. He likes to work in watercolor and ink wash but sometimes he will make an oil painting, depending on the film. Tony's very active on social media, and his Tumblr blog contains a massive collection of illustrated movie posters that are often better than the original. ...
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