Bruno Walpoth makes intricate human figures from wood, and it's always a treat to watch him create new life out of nothing. For each sculpture, the Italian artist begins by meeting and dealing with models. After these initial steps are completed, the bodies, lines and forms of the mysteriously attractive men and women take shape from the block of wood by means of his hands. They gaze on with indifference, glance around in suspicion, or carry blank stares. I know I've said this probably a hundred times before, but I'm continually amazed at how an artist can create something that's both unsettling and captivating.
What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...
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