Invisible People

Jinyoung Yu's art is a powerful statement about the duality of human existence – the conflict between who we are and who we pretend to be. When I look at her creations, I find myself not just admiring the form, but contemplating the meaning.

At first glance, Yu's translucent figures might seem like apparitions. The South Korean artist uses plastics or transparent PVC for the body and clay for the heads, clothes, and accessories. The faces are often doll-like and mysterious, with subtle expressions of melancholy.

Her art reminds me that our real power often lies in our transparency, our willingness to be seen in all our delicate, complex glory.

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When chocolate meets art

I heard it's National Chocolate Day, so I thought I'd share this video about Orlando's newest and sweetest attraction.

Italy's True Movie Poster King

What you see here is the hand-crafted magic of Renato Casaro, the late Italian designer who practically defined an era of cinematic cool. His work wasn't just advertising; it was art. Casaro's journey into becoming one of the most recognizable poster artists wasn't by chance; it was a pure obsession. As a kid, he was fascinated by billboards, trying to mimic the styles of Norman Rockwell and Angelo Cesselon. Think of a teen so determined that he was drawing right onto the walls of a local cinema just to snag a few free tickets. Casaro created posters for a lot of Spaghetti Westerns. His big break came with A Fistful of Dollars in 1964. The movie starred Clint Eastwood and was directed by Sergio Leone. The poster didn’t just promote the film; it helped make it a global hit. Naturally, Leone came calling again, commissioning posters for My Name Is Nobody (1973) and the epic crime saga, Once Upon a Time in America (1984). A Casaro poster is easy to spot because of his uniqu...

The Three-Step Secret

Have you ever encountered a painting that, up close, is pure chaos—a riot of color, a tantrum of brushstrokes? Yet, take a few steps back, and suddenly, the mess organizes itself. As if by cruel magic or divine intervention, the disarray snaps into clarity. That is the experience of viewing the art of Montana Engels . Her work is a testament to this phenomenon. Up close, Montana's canvases appear as nothing more than abstract, hand-painted stripes. Then you move away. Instantly, the mess resolves into a stunning, realistic portrait. The technique is extraordinary, turning proximity into confusion and distance into focus. Montana wasn’t always a phenomenon. Her creativity was just a hobby. Then came Belgium’s Got Talent . Suddenly, she was noticed. Now, she's everywhere. If you have a Facebook account, you might want to follow her .

finding cain

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